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Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Sinopsis Drama Korea Lies of Lies: Drama ini bercerita tentang kisah cinta sejati yang dimulai dengan kebohongan seorang wanita yang berusaha menjadi ibu tiri. Ji Eun Soo (Lee Yoo Ri) adalah menantu dari keluarga chaebol yang kuat. Dia tiba-tiba menjadi seorang pembunuh, yang membunuh suaminya.

Lies (거짓말, Gojitmal) is a 1999 South Korean film depicting a sadomasochistic sexual relationship between a 38-year-old sculptor and an 18-year-old high school student. It was the debut film for both of its stars; Lee Sang-hyun is a sculptor and Kim Tae-yeon, a fashion model.

The film was adapted from a South Korean novel by Jang Jung-il that was banned immediately after publication in 1996 and earned the author several months in prison; director Jang Sun-wu had previously filmed one of Jang's novels. Excerpts from interviews with the author and cast, in addition to post-cut footage, are sometimes inserted between scenes. The film features full-frontal male and female nudity.^[1]

This film was highly controversial in South Korea, as it had already undergone extensive censorship before being publicly screened. It is considered to be almost impossible to acquire the original version of the film in its entirety. ^[2]

Plot[edit]

A high school senior, Y, is friends with another girl who has struck up a correspondence with a middle-aged artist, J. After talking to him on the phone, and determined not to lose her virginity through rape as her two sisters did, she decides to have sex with him and a meeting is arranged at a cheap motel. They have sex almost as soon as they enter the motel; though she is a virgin they have oral and anal sex. In their next rendezvous he tells her about his interest in sadomasochism and she allows him to beat her on her buttocks before they have sex again.

Streaming Film Korea Love Lies

They arrange regular trysts where he beats her more fiercely and with a wider array of implements. While at first she only goes along to make him happy (telling her friend that she desires whatever he does) she eventually likes being beaten. At home, J's relationship with his wife deteriorates when he begs her to beat him; she refuses, calling him a pervert, as the film reveals that his sexual desires have been a strain on their marriage for years.

After an unusually harsh beating Y becomes angry, and he offers to let her beat him. Intrigued, she quickly assumes the dominant role and from then on they take turns beating each other. Their encounters become more frequent; though J pretends to be her art professor, Y's brother discovers the affair and sets fire to J's house. Y cuts her hair and drops out of university and he leaves home, as they live in hotels having sex every night; they carve tattoos onto their inner thighs. When Y's brother dies in a motorcycle accident and J runs out of money, she leaves, though he begs her not to; they go their separate ways as he returns to his wife.

Years later the man and his wife are living together in Paris when he receives a phone call. She is traveling to South America and has a stopover in Paris. They meet in a hotel, where she changes into her old school uniform and beats him with the handle of a pickaxe, fulfilling a fantasy of his he once expressed to her. They never see each other again; when his wife asks him about the tattoo, he lies.

See also[edit]

References[edit]

1. ^Double Reading It's All Lies! Published: 7 May 2005. Retrieved: 21 May 2014.
2. ^[1]

Pemain Film Korea Love Lies

External links[edit]

• Lies on IMDb

1999, NR, 115 min. Directed by Sun-Woo Jang. Starring Min Soo Shin, Myung Keum Jung, Hyuk Poong Kwon, Kwan Taek Han, Hyun Joo Choi, Hye Jin Jeon, Tae Yeon Kim, Sang Hyun Lee.

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REVIEWED By Marc Savlov, Fri., Feb. 9, 2001

It may be banned in its native South Korea, but I'd be willing to bet that the North's leader Kim Jong II, a man with a well known passion for Western films and risqué subject matter, has already gotten his hands on a bootleg copy of Sun-Woo Jang's Lies. It's a film so filled with sex and violence that many critics have derided it as nothing short of hardcore porn. Its curious structure and neo-neo-realistic approach to storytelling gets it off the porno hook, though -- there's more going on than simple bedroom antics. There's not much here, certainly, for fans of American yank 'n' spank tape loops: Jang's adaptation of Jung Il-Chang's (also banned) novel about the relationship between a 38-year-old sculptor and his teenage paramour is clearly a concentrated spit in the eye to the South Korean censors, but at its heart it's a love story, albeit one with a sadomasochistic bent. That the film has been reviled as outright pornography says more for the politics-laden state of filmmaking in South Korea and surrounding regions than it does about Lies itself. (The film was also banned in Japan, a fact hard to reconcile with that country's steady output of wildly popular and socially accepted X-rated anime and live-action nightmares such as Takao Nagaishi's studiously offensive Rapeman series.) Looking as though it were shot through a drape of moldy cheesecloth, Lies tells the story of sculptor J (Sang Hyun), who, in an opening narration, places an advertisement in the paper for an 18-year-old girl to deflower. His motivations -- apart from the obvious -- are murky, but when young Y (Tae Yeon) answers with a phone call, they agree to meet, and the rest of the film is mostly set in J's bedroom and assorted hotels. With his wife off in Paris, J is free to spend his leisure time with his new partner -- the first 15 minutes of the film combines the somewhat grueling deflowering scene, interrupted only by a series of titles -- “The First Hole,” “The Second Hole,” and so on -- that, if nothing else, underscores Jang's cinema-verite notions of what this film is going to be. The lovemaking is frantic and rushed and altogether realistic, and although there are no real scenes of penetration per se, you get the feeling that if this is indeed acting then this pair has met before. As the film progresses, Y and J enter into the realm of sadomasochism, alternating between flagellating backsides with cedar boughs and that old Asian fetish standby, coprophagia (what, no water sports?). Jang pulls these admittedly bloody-blue scenes with a steady gaze, though his protracted scenes of beatings and caresses have the jittery feel of a Dogma film. What's most interesting about Lies is the director's occasional retreat from his story into reality. In one memorable scene, Y and her schoolgirl pal Woori (Hye Jin) fight in a jealous tussle in an alleyway. The melee ends abruptly with someone offscreen yelling “Cut!” and the director and assorted crew walk into frame, to set up the next take. Meanwhile, Tae Yeon nurses her battered face and takes a smoke break. What Jang is saying here is unclear, but the trajectory of J and Y's escalating relationship is anything but. Lies most resembles a low-rent version of Last Tango in Paris, with touches of Oshima's In the Realm of the Senses thrown in for good measure. In the end it falls short of both of those erotic masterworks, but not by far. It's cloudy, overcast passion from a cloudy, overcast place.